Wide harbor scene viewed from a dark wooden boat, with a witness watching a rescue crew pull a swimmer from water where sharks circle.

Second View · Original artwork

Across the Water

From the shadowed bow of a nearby boat, a lone witness watches a rescue crew pull a swimmer from shark-filled water across a crowded, sunlit harbor.

A dark working boat fills the foreground, where a weathered rail, coiled rope, and glowing lantern place the viewer beside a solitary observer. Across the choppy water, a crowded rescue boat leans toward a swimmer while sharks circle nearby. Masts, towers, and pale harbor buildings recede beneath a gray-gold sky. The long horizontal composition moves from near shadow to distant light, using the open water between the two boats to turn a dramatic rescue into a quieter question about witnessing danger from just beyond reach.

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Source conversation

A changed point of view.

Across the Water is an original Second View composition developed in dialogue with John Singleton Copley’s Watson and the Shark (1778). Copley places the viewer close to the rescue; this work shifts the viewpoint into a separate boat and rebuilds the harbor around the position of a witness.

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